BUDAPEST, HUNGARY, 1956, 1957. Revolts and war. Set of 5 sil - Lot 205

Lot n° 205
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Result : 10EUR
BUDAPEST, HUNGARY, 1956, 1957. Revolts and war. Set of 5 sil - Lot 205
BUDAPEST, HUNGARY, 1956, 1957. Revolts and war. Set of 5 silver prints: - Revolt in Hungary, 1956. Black and white silver print. Captioned in pencil on the back. 20.5 x 30 cm. Folds, tears, warped. Warped - Well protected from the cold, this Hungarian baby has just crossed the Hungarian-Austrian border canal in a canoe, 1956. Black and white silver print. Captioned on the back. 18 x 13 cm. Warped, very slight folds at corners. - Hungarian insurgents smoke out the secret police hiding in the sewers of the Hungarian capital, November 7, 1956. Intercontinental agency stamp and typed caption on back. 20.5 x 25.5 cm. Warped, light soiling, folds. - Mr. Janos Kadar to the Workers of Hungary addressing a crowd of 25,000 Hungarian workers and peasants, on the occasion of the "Constitution Day" celebration in Kissujszalla, in the Hungarian countryside, yesterday, August 20. Associated Press photo. Titled on back. 18 x 24 cm. Warped, slight folds. - Hungarians search for their missing. Unidentified Hungarian victims of one of the most recent clashes with Russian forces in Budapest. Titled and captioned on back. Associated Press photo from London. 20.5 x 15 cm. warped, slight folds - Hungarians crossing the Austrian border. Silver print. Keystone stamp and handwritten caption on back. 18 x 24 cm. Mottled, creases. Note: Exceptional documentary set dedicated to the 1956 Hungarian uprising and its human and political consequences. These silver press prints retrace various episodes in the Budapest revolt against the USSR-backed Communist regime: popular uprisings, armed clashes, the exodus of civilians to Austria and the installation of János Kádár's government after the uprising was crushed. The strength of this ensemble lies in the diversity of the scenes depicted: insurgent crowds, improvised combatants, refugees crossing the border, searches for the missing and scenes of collective mourning. Some of the photographs bear stamps from international agencies such as Associated Press, Keystone or Intercontinental, with original captions on the back, reinforcing their historical authenticity and their interest for collectors of press photography and contemporary history.
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